shot | visual track | soundtrack |
No. | Length | Camera movements Characters' movements Elements on the scene Notes on the lighting 2 | Dialogue (voices) 3 | Noises | Music |
01 | 3 | A.S., fix, 90° | a bar; folk dancers singing and dancing on a table; in the background the players; warm yellow lighting given by the lamps in the Bierhause | / | clapping of the dancers hands | folk diegetic |
02 | 5" | W.F., fix, 90° | dancers; people sitting, clapping their hands and waving to the music; light. as 01; | / | as 01 | as 01 |
03 | 4" | M.S., fix, 45° r. | as 01 | / | as 01 | as 01 |
04 | 2" | W.F., fixed, frontal | Daniel sat on a chair; warm red light, from the bar | / | as 01 | as 01 |
05 | 5" | as 02 | as 02; then the dancers dance in couples; | / | as 01; then the clapping stops | as 01; then the music slows down |
06 | 6" | M.S., short l-r side travelling, then fixed | Dancers and part of the crowded bar; Daniel sat on a chair and a lady taking him under her arm; light. as 01; | / | as 05 | as 05 |
07 | 13" | W.F.; slow l-r side travelling, with light ascending movement, 90°; then from behind | Daniel brought to the exit by the lady; light. as 04, then colder (blue/grey); | / | as 05 | as 05, but softer then again the theme of shot no.1 |
08 | 3" | as 02 | as 02 | / | as 02 | as 02 |
09 | 3" | as 01 | as 01 | / | as 01 | as 01 |
10 | 33" | M.S.; oblique r-l trav., combined with a forward trav., then fix | Daniel and his dog, out of the bar, walk on the pathway; past a policeman, still, then another one comes; Daniel turns right; poor and cold (white) light. from the street | / | steps and tapping of the stick; dogs panting | diegetic folk music coming from inside the bar; then cross-fade and disturbing extra-diegetic music, as a carillon |
11 | 14" | M.S., fixed, slightly bent to the r., then short backward preceeding trav.; | Daniel crosses the street led by his dog; at the crossing there is a white car; the traffic lights are green, then yellow, then red; street light.; | / | as 10 | as 10; then the instrumental theme is reprised by a whispered singing; |
12 | 6" | L.S., fixed, from above; | square with two neo-classic buildings, one to the right (a), another to the left (b); cold (white) light. of the two buildings and of an irregular spot between them; | / | as 10 | as 11 |
13 | 17" | M.S., side trav. r-l, then fixed, 90°; | Daniel enters from the left, the dog pulls him, he pulls it; the dog yelps, then stops and barks; we can see a building (b); Daniel stops and turns his head to the left and to the right; medium cold (white) light.; | / | steps and tapping of the stick; dogs panting; then yelps and barks of the dog; | as 11; then only instrumental |
14 | 4" | C.U. of the dog, fixed, from below; | the dog barks, Daniel turns his head to the left and to the right; contrasted cold (white) light.; | / | dogs barks | as 13 |
15 | 7" | as 12 | Daniel stands near the building (b); the dog keeps moving and barking; | / | as 14 | as 13 |
16 | 4" | as 14 | The dog barks; Daniel pets and calms it; cold (white) light.; | Daniel: "Good dog
" | barks; then a yelp | as 13; with increasing bass and whispers |
17 | 15" | M.S., fixed; | Daniel stands, then turns his back to the camera, moving towards the building in the background (a); the dog is excited; Daniel stops; cold (white) light. of the building (a); | Daniel: "Whats up? Whos there?, come on, lets go
whats up?" | steps; then barks; | as 16 |
18 | 15" | L.S., side trav., then fixed; | the camera goes behind the columns of a third building; Daniel stands in the centre of the square, with his dog pulling him; | / | steps; distant dogs barks | as 16 |
19 | 7" | L.S.; from above; | Daniel stands in the centre of the square, his dog is pulling him; Daniel turns around; cold (white) light. on Daniel; | Daniel (with tenser voice): "What! Whos there? Who is here? Who?" | dogs barks | as 16 |
20 | 4" | C.U. of the dog, fixed, | Daniels dog barking and growling; | / | as 19 | as 16 |
21 | 6" | C.U. of Daniel, fixed, slightly from below; | Daniel is still, to feel everything; in the background, the building (b) neutral and cold (white) light. on Daniel; | Daniel (whispers): "There is someone"; then with anger: "Whos there?" | as 19; then silence | as 16 |
22 | 1" | as 20 | the dog looks at the camera; | / | weak yelps of the dog | as 16, crescendo |
23 | 3" | L.S., fixed; | upper part of the building (a); flat, neutral, cold (white) light.; | / | as 22 | as 22 |
24 | 5" | as 21 | Daniel suddenly turns toward the building (b) in the background (out of focus); | Daniel (screaming): "Who is there?" | / | as 22, more crescendo |
25 | 3" | as 20 | the dog pants with its tongue out; | / | / | as 24 |
26 | 3" | as 21 | Daniel is turns toward the camera, rattling; | Daniel (screaming): "Whos there!" | / | as 24 |
27 | 3" | C.U. of the dog, fixed, slightly from above; | the dog looks forward; | / | weak yelps of the dog | as 24, more crescendo |
28 | 8" | TOT, fixed, then pan shot upward; | building (b); upper part of it; cold (white) light. that marks the decorations; | / | barks of the dog | as 27; an echoed voice whispers the word "witch" |
29 | 2" | W.F., fixed, frontal; | statue on the gable of the building (b), shaped as a winged monster light. as 28; | / | / | as 27 |
30 | 1" | as 29, closer; | as 29; light. as 28; | / | / | as 28 |
31 | 5" | L.S., flight trav. downward and upward 4; | the square; Daniel and his dog; | Daniels exclamation of fear and bewilderment | flapping of wings; bark of the dog; | / |
32 | 3" | C.U. of Daniel, fixed, frontal; | Daniel | / | barks of the dog | extradiegetic drum music, with echo |
33 | 5" | as 23 | broad and indefinite shadows moving on the front of the building (a) from left to right; | / | as 32 | as 32 |
34 | 2" | C.U. of the dog, fixed (with recadrages), from above; | part of Daniels jacket and his hand holding the dog; the dog turns his head from left to right, looking forward; | / | / | as 32 |
35 | 2" | as 32 | Daniel moves his head; | / | / | as 32; then vocal part, with long and slow vocalisations |
36 | 2" | as 19 | Daniel in the centre of the square; | / | / | as 35 |
37 | 2" | as 20 | the dog turns his head; | / | / | as 35 |
38 | 1" | L.S., fixed; | building (a); light. as 23; | / | / | as 35 |
39 | 1" | as 23 | upper part of the building (a); light. as 23; | / | / | as 35 |
40 | 4" | as 20 | the dog looks forward; | / | / | as 35, with high vocalizations |
41 | 2" | TOT, fixed; | building (b); light. as 28; | / | / | as 40 |
42 | 4" | as 20 | the dog looks aside and then upward; | / | / | as 35, with female vocalizations |
43 | 3" | as 32 | Daniel, his mouth half-open, slightly moves his head; | / | / | as 42 |
44 | 12" | as 34 | the dog, Daniels hand holding it and part of Daniels jacket; the dog looks upward, then forward, then to the left, finally quickly turns towards Daniel; | / | / | the volume goes down until it stops |
45 | 0,5" (12 frames) | C.U. of the dog, fixed, frontal; | the dog jumps toward the camera; | / | growl of the dog | grave and continuous, extradiegetic |
46 | 1" | C.U. of Daniel, fixed, frontal; | Daniel; the dog comes from right-below, and jumps towards his throat; | Daniels suffocated screams | growls of the dog | as 45 |
47 | 1" | M.F., fixed, from below; | the dog grabs Daniels throat bringing him down; it falls with him, the image is empty, in the background the building (b), out of focus; | as 46 | as 46 | as 45 |
48 | 2" | C.U.P., fixed, 90°, slightly from above; | Daniel is on the ground, his mouth is open, he has lost his glasses; he tries to escape the dogs bite; | as 46 | as 46 | as 45 |
49 | 4" | as 12 | square, the two buildings, Daniel and his dog on the ground: they are very little; cold (white) light. on the buildings; Daniel and the dog are in a reflected light; | as 46 | as 46 | as 45 |
50 | 3" | C.U.P., fixed, 90°; | Daniel is pulled by the bites of the dog at his throat; blood comes from his mouth; | as 46 | as 46 | as 45 |
51 | 2" | C.U. of the dog, fixed, 90°, legg. incl. a l; | the dog tries to tear Daniels throat to pieces; | / | noise of ripped flesh, growls | as 45 |
52 | 3" | as 50 | Daniel tries to protect his throat from the bite of the dog; | / | as 51 | as 45 |
53 | 2" | as 12 | as 49 | / | as 51 | as 45 |
54 | 4" | C.U.P., fixed, frontal; | Daniel spits blood out of his mouth: the blood covers his face; | Daniel utters a suffocate scream and a gurgle; | as 51 | as 45, crescendo, with high notes and timpanos; |
55 | 4" | as 12 | as 49 | / | as 51 | as 54 |
56 | 12" | C.U. of the dog, fixed, 90°; | the dog tears Daniels neck to pieces; | / | noise of ripped flesh; | as 54 |
57 | 6" | L.S., fixed; | a policeman indicates something to another one; they run towards the camera; street light.; | shouting of the policemen | / | as 54 |
58 | 3" | as 56 | the dog keeps tearing Daniel to pieces, helping with its paws; | / | as 56 | as 54 |
59 | 10" | L.S., fixed; | the square seen from behind the columns of the third building; the policemen come from the left; the dog runs away; one of the policemen stands next to Daniel, the other one follows the dog. | shouting of the policemen. | as 56 | as 54, then the volume goes down, to a bass and sustained note. |