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Notes
1 Martin, John (1991)
Directed by: Dario Argento
France, Fantasy Film Memory, p. 32.
2 Thrower, Stephen (1999)
Beyond Terror : The Films of Lucio Fulci
Guildford, FAB Press, p. 63.
3 Thrower, p. 63.
4 McDonagh, Maitland (1991)
Broken Mirrors Broken Minds : The Dark Dreams of Dario Argento
London, Sun Tavern Fields, p. 96.
5 Moir, Patricia 'Aesthetics of Ambiguity' in Clarke, F. S (ed.) (1996)
Cinefantastique
Vol. 27, No. 8, p. 18.
6 Gelder, Ken (ed.) (2000)
The Horror Reader
London, Routledge, p. 328.
7 Grainger, Julian 'Deep Red' in Gallant, Chris (2000)
Art of Darkness : The Cinema of Dario Argento
Guildford, FAB Press, p. 119.
8 McDonagh, Maitland (1991)
Broken Mirrors Broken Minds : The Dark Dreams of Dario Argento
London, Sun Tavern Fields, p. 113.
9 Jones, Stephen (1983)
'The Technique of Terror: An Interview with Dario Argento.' Halls of Horror
Vol. 3, No 3, p. 30.
10 McDonagh, Maitland (1991)
Broken Mirrors Broken Minds : The Dark Dreams of Dario Argento
London, Sun Tavern Fields, p. 114.
11 Jones, Alan (1996)
Mondo Argento
Cambridge, Midnite Media, p. 65.
12 Jones, p. 66.
13 Moir, Patricia 'Aesthetics of Ambiguity' in Clarke, F. S (ed.) (1996)
Cinefantastique
Vol. 27, No. 8, p. 18.
14 Grainger, Julian 'Deep Red' in Gallant, Chris (2000)
Art of Darkness : The Cinema of Dario Argento
Guildford, FAB Press, p. 116.
15 Grainger, p. 116.
16 Martin, John (1997)
Deep Red Diva : Daria Nicolodi
UK, Yellow Press, p. 35.
17 Balun, Chas (ed.) (1989)
The Deep Red Horror Handbook
USA, Fantaco, p. 16.
18 McDonagh, Maitland (1991)
Broken Mirrors Broken Minds : The Dark Dreams of Dario Argento
London, Sun Tavern Fields, p. 99.
19 McDonagh, p. 101.
20 McDonagh, p. 107.
21 Jones, Alan (1996)
Mondo Argento
Cambridge, Midnite Media, p. 16.
22 McDonagh, Maitland (1991)
Broken Mirrors Broken Minds : The Dark Dreams of Dario Argento
London, Sun Tavern Fields, p. 125.
23 Daniel, Rob & Wood, Dave (1999)
Suspiria: Dario Argento's Darkest Dream
Cambridge, Midnite Media, p. 8.
24 Luther-Smith, Adrian (ed.) (1997)
Delirium : A Guide to Italian Exploitation Cinema 1975-1979
London, Media Publications, yr. 1975
25 Palmerini, L & Mistretta, G (1996)
Spaghetti Nightmares
USA: Fantasma, p. 61.
26 Jones, Alan (1996)
Mondo Argento
Cambridge, Midnite Media, p. 11.
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Giallo
(pronounced 'djallo, plural gialli) is an italian 20th century genre of literature and film, which in italian indicates crime fiction and mystery. In the English language, however, it is used in a broader meaning that is closer to the french fantastique genre, including elements of horror fiction and eroticism.
The word giallo is Italian for "yellow" and stems from the origin of the genre as a series of cheap paperback novels with trademark yellow covers.
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